Sans Superellipse Olged 5 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Neuron Angled' by Corradine Fonts, 'Isotonic' by Emtype Foundry, 'FS Truman' by Fontsmith, and 'Metronic Pro' by Mostardesign (names referenced only for comparison).
Keywords: user interfaces, product design, signage, dashboards, packaging, modern, technical, clean, friendly, neutral, clarity, system design, approachability, consistency, rounded, squared, compact, monoline, geometric.
A monoline sans with a superelliptical construction: curves resolve into rounded-rectangle bowls and corners, giving letters a squared-but-soft silhouette. Strokes are even and sturdy, with mostly vertical terminals and minimal modulation. Counters are open and fairly generous, while joins and apertures stay controlled and consistent, creating a tidy, engineered rhythm. The lowercase shows single-storey forms (notably a and g) and short, squared shoulders and arms, reinforcing a systematic, UI-minded geometry.
This font suits user interfaces, app and web navigation, and product labeling where crisp, regular letterforms and consistent spacing support quick scanning. It can also work well for wayfinding and informational signage, as well as contemporary branding systems that want a clean, geometric voice without sharp corners.
The overall tone feels contemporary and utilitarian, with a mild friendliness coming from the rounded corners. It reads as calm and matter-of-fact rather than expressive, suggesting precision and reliability with a softened, approachable edge.
The design appears intended to merge geometric clarity with softened corners for comfortable reading at common display and text sizes. Its consistent stroke weight and rounded-rectangle forms suggest an aim toward dependable, system-friendly typography that remains approachable in modern digital contexts.
Round glyphs like O and 0 appear more squarish than circular, and curved letters (C, S) keep their corners subtly tensioned rather than fully round. Punctuation and small details (dots, commas) follow the same squared, softened logic, helping the design maintain a uniform texture in text.