Sans Normal Ollit 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Pelinka' by Jehoo Creative, 'Lyu Lin' by Stefan Stoychev, and 'Kropotkin Std' by sugargliderz (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui text, modern, friendly, clean, confident, utilitarian, versatility, clarity, modern branding, readability, simplicity, rounded, geometric, even, solid, high x-height.
This typeface presents as a sturdy, geometric sans with smooth, rounded curves and largely uniform stroke thickness. Counters are open and generously sized, with circular forms that read as clean, near-geometric shapes, while straight strokes stay crisp and vertical. The lowercase shows a practical, contemporary construction with a single-storey “a” and “g”, a compact “t”, and a straightforward “r”, giving the face a simple, efficient rhythm. Terminals are mostly blunt with subtle rounding, producing a dense, stable color that remains clear at display sizes.
It works well for headlines and short paragraphs where a strong, contemporary sans is needed, such as posters, packaging, and branding systems. The open counters and simple lowercase forms also make it a good fit for UI labels, navigation, and signage where quick recognition is important.
The overall tone is modern and approachable, balancing a friendly roundness with a confident, no-nonsense weight. It feels contemporary and functional rather than decorative, suited to brands or interfaces that want to look clear, direct, and dependable.
The design appears intended as a versatile, modern workhorse: a geometric, rounded sans that delivers strong presence while keeping letterforms uncomplicated and highly readable. Its construction prioritizes consistency and clear shapes for reliable performance across display and general-purpose settings.
The numerals are wide and robust, matching the letterforms’ round geometry and maintaining strong legibility. The shapes remain consistent across caps and lowercase, with minimal stylistic quirks and an emphasis on clarity and even texture in running text.