Font Hero

Free for Commercial Use

Solid Gaju 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Rhode' by Font Bureau, 'Muller Next' by Fontfabric, 'Kontesa' by FoxType, 'MNSTR' by Gaslight, 'Avanti' by Glowtype, and 'Antry Sans' by Mans Greback (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, titles, playful, chunky, retro, whimsical, punchy, impact, novelty, silhouette-led, signage, rounded, blocky, stencil-like, cutout, quirky.


Free for commercial use
Customize the font name

A heavy, block-based display face built from rounded masses and abrupt, angular cut-ins. Many glyphs show collapsed or minimized counters, with character recognition carried by bold silhouettes and distinctive notches rather than interior space. Curves are broad and bulbous (notably in O/Q/0 and many lowercase rounds), while joins and terminals often end in flat slabs or sharp wedges that create a carved, cutout impression. Spacing and letterfit feel tight and dense, producing a compact, poster-like texture in running text.

Best suited to large display settings such as posters, titles, brand marks, packaging, and short punchy headlines where the bold silhouettes can do the work. It can also be effective for event graphics, stickers, and playful editorial callouts, but is less appropriate for long passages or small UI text due to the reduced interior detail.

The overall tone is playful and attention-grabbing, with a toy-like heft and a slightly mischievous, cartoonish edge. Its chunky silhouettes and irregular cut details evoke retro signage and novelty headline lettering rather than sober, utilitarian typography.

The font appears designed to maximize visual impact through simplified, solid forms and distinctive cut-in geometry, creating a memorable silhouette-led voice. Its construction suggests an intention to feel hand-cut or molded—more like a graphic emblem than a conventional text face.

The design relies on strong negative-shape bites and internal collapses, so small sizes will tend to merge into solid forms; it reads best when given room and size. Numerals share the same swollen, cut-in construction, with especially bold, graphic shapes that prioritize impact over precision.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸