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Inverted Igmo 6 is a very bold, very narrow, high contrast, upright, tall x-height font visually similar to 'Dimensions' by Dharma Type and 'Jampact NF' by Nick's Fonts (names referenced only for comparison).

Keywords: posters, headlines, title cards, album art, horror, eerie, noir, experimental, edgy, quirky, display impact, thematic mood, contour focus, graphic contrast, outline, condensed, monoline, tall, hand-drawn.


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A tall, condensed outline face built from thin, monoline contours that read as white linework against dark fills. Letterforms are tightly proportioned with long verticals, compact bowls, and minimal interior thickness, creating a crisp high-contrast figure/ground effect. Curves feel slightly irregular and hand-drawn, with occasional asymmetry and quirky stroke terminals that add a jittery rhythm across text. Spacing appears compact and the overall texture is wiry and linear, favoring silhouette and contour over solid stroke mass.

Best suited for posters, headlines, and title treatments where the inverted outline effect can be appreciated at larger sizes. It can work well for album art, event graphics, or themed branding that benefits from a dark, stylized mood. For longer passages, it’s most effective in short bursts or with generous tracking and ample contrast.

The font projects a noir, night-sign atmosphere—sleek but unsettling—mixing elegance with a scratchy, experimental edge. Its narrow, towering shapes and inverted outline look give it a theatrical, slightly spooky tone that feels at home in stylized display settings rather than neutral reading.

The design appears intended to reinterpret a condensed display skeleton through an outline-first, figure/ground inversion, emphasizing contour and countershape over filled strokes. Its slightly uneven drawing suggests a deliberate move away from geometric precision toward a more expressive, cinematic display voice.

The inverted presentation (light outlines within dark shapes) makes counters and inner contours a primary design feature, so legibility depends heavily on size and contrast. In running lines, the condensed proportions create a tight, vertical cadence, while the subtle irregularities add personality and a handmade feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸