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Free for Commercial Use

Sans Normal Ogta 5 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Neogrotesk' by Los Andes, and 'Neue Rational Standard' by René Bieder (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, confident, modern, friendly, punchy, utilitarian, impact, clarity, modernity, approachability, simplicity, geometric, compact, blunt, blocky, smooth.


Free for commercial use
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This typeface is a heavy, geometric sans with broad proportions and a compact overall fit. Strokes are uniform and dense, with rounded bowls and softly squared terminals that keep forms crisp without feeling sharp. Counters are relatively small for the weight, and circular letters like O/C/G read as near-round with clean, simplified apertures. The lowercase is sturdy and straightforward, with a single-storey a and g, a short-armed r, and a t that has a firm, compact crossbar; numerals are similarly robust, with an open-top 4, a rounded 6/9, and an 8 with tight inner counters.

Best suited for headlines and display sizes where its heavy color and wide stance can deliver impact quickly. It works well for branding, packaging, and signage that need a clear, modern sans with friendly geometry. In longer setting, it will be most comfortable at larger sizes due to its tight counters and strong stroke presence.

The overall tone is bold and self-assured, with a contemporary, no-nonsense voice. Its rounded geometry adds approachability, while the dense color and simplified details project strength and clarity. The result feels sporty and pragmatic rather than delicate or formal.

The design appears intended as a modern, geometric workhorse for high-impact communication, balancing strong presence with rounded, approachable forms. Its simplified shapes and sturdy proportions suggest a focus on clarity and consistency across letters and numerals in bold display applications.

Spacing appears generous enough to prevent the heavy shapes from clumping in text, while still maintaining a tight, impactful rhythm. Diagonals (A, V, W, X) are thick and stable, contributing to a solid, poster-ready texture. The punctuation shown (e.g., apostrophe and ampersand) matches the same compact, heavy construction for consistent color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸