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Free for Commercial Use

Shadow Nofy 1 is a very bold, narrow, very high contrast, italic, tall x-height font visually similar to 'Chamfer Engraved JNL' by Jeff Levine and 'Beachwood' by Swell Type (names referenced only for comparison).

Keywords: sports branding, event posters, headlines, gaming titles, apparel graphics, athletic, action, retro, aggressive, industrial, speed emphasis, dimensionality, impact display, retro sports, slanted, condensed, chiseled, octagonal, inline.


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A tightly condensed, forward-slanted display face built from chunky, angular forms with chamfered corners and a mostly monoline, blocky stroke feel. Letter shapes lean on faceted, octagonal geometry (notably in rounds like O/Q and the numerals), with sharp joins and clipped terminals that keep the silhouette rigid and mechanical. A consistent internal cut/inline runs through many glyphs, paired with an offset shadow-like companion that creates a layered, dimensional impression without soft curves or tapering. Spacing appears compact and rhythmically even, producing dense, high-impact word shapes in text settings.

Best suited for short, high-impact settings such as sports branding, team or league graphics, event posters, promotional headlines, gaming or action-themed titles, and apparel or merchandise lettering. The condensed, slanted build helps long words fit while maintaining a strong presence, especially at medium-to-large sizes where the inline and shadow details remain legible.

The overall tone is fast, forceful, and sporty, with a retro poster energy that reads as competitive and kinetic. The angular beveling and built-in inline/shadow detailing add a hard-edged, industrial flavor that feels bold and attention-grabbing.

The design appears intended to deliver maximum impact in display typography by combining condensed, slanted block forms with faceted corners and integrated inline/shadow detailing. This creates a sense of speed and dimensionality while preserving a rigid, engineered structure suited to energetic, promotional contexts.

Uppercase and lowercase share the same faceted construction, keeping a uniform, display-driven personality. Counters tend to be small and squared-off, and the offset detailing is integrated as a repeatable motif rather than a separate outline, which strengthens consistency across letters and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸