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Free for Commercial Use

Sans Superellipse Domob 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Gothic' and 'Dharma Gothic Rounded' by Dharma Type and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, condensed, authoritative, retro, posterish, space saving, high impact, graphic display, industrial tone, blocky, monoline, tall, compact, squared.


Free for commercial use
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A condensed, monoline sans with tall proportions and tight internal spacing. Curves are built from rounded-rectangle geometry, producing squarish bowls and softened corners rather than true circles. Strokes stay consistently heavy with minimal contrast, and terminals are clean and blunt. The overall rhythm is vertical and compact, with slightly mechanical shaping and narrow apertures that create a dense texture in text.

Best suited to display roles where impact and vertical economy matter, such as posters, headlines, signage, and packaging panels. It can also support bold branding systems that need a compact, engineered look, especially in short phrases, labels, and titles rather than extended body copy.

The font conveys an industrial, no-nonsense tone with a hint of retro display styling. Its compressed width and heavy build feel assertive and utilitarian, while the rounded-rectilinear curves add a stylized, engineered character rather than a purely neutral voice.

The design appears intended to deliver maximum presence in a condensed footprint, using rounded-rectilinear construction to create a distinctive, engineered silhouette. It prioritizes strong vertical rhythm and graphic clarity for display typography where space is tight but legibility and punch are still required.

Uppercase and lowercase share a similar condensed, vertical stance, keeping word shapes uniform and strongly columnar. Numerals follow the same squared, compact construction, matching the alphabet for cohesive headline setting. At smaller sizes the tight counters and narrow joins can make text appear dark and packed, while at larger sizes the geometry reads crisp and graphic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸