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Free for Commercial Use

Solid Bovy 4 is a light, narrow, medium contrast, upright, short x-height font.

Keywords: posters, headlines, branding, packaging, album covers, playful, retro, whimsical, quirky, graphic, display impact, letterform reduction, graphic rhythm, distinctiveness, geometric, monoline, rounded, high-waist, teardrop terminals.


Free for commercial use
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A quirky monoline design built from slender strokes paired with bold, solid oval and half-oval masses that replace many bowls and counters. Curves are smooth and geometric, while joins stay crisp and simplified, creating a strong black–white rhythm across words. Many letters use single-stem constructions with detached or minimized internal spaces, and several forms read as modular—mixing thin verticals with chunky, pill-like blobs. Overall spacing feels even but the silhouettes vary noticeably by glyph, producing an intentionally irregular, display-forward texture.

Best suited for headlines and short display settings where the bold filled shapes can be appreciated—such as posters, editorial titles, packaging, and identity work. It can also function as an accent face alongside a more conventional text font to add character in pull quotes, labels, and event graphics.

The font conveys a playful, retro-modern tone with a mischievous sense of surprise, as familiar letter structures are reduced to minimal strokes and punctuated by bold black shapes. Its alternating thin lines and heavy ovals give it a graphic, poster-like punch that feels experimental and slightly surreal.

The design appears intended to reinterpret a clean, geometric sans into a novelty display style by collapsing counters into solid forms and exaggerating bowl shapes into bold ovals. The goal is a distinctive word image with strong rhythm and instant recognizability rather than conventional readability.

Capitals and lowercase share a consistent thin-stroke grammar, but many key letters (notably rounded forms) lean on filled shapes that collapse counters, boosting contrast in texture rather than stroke weight. Numerals follow the same idea, combining airy outlines with occasional fully filled figures, which can make certain characters feel more like symbols than traditional text forms at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸