Sans Superellipse Gebaj 2 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Neusa Neu' by Inhouse Type, 'Interval Next' and 'Metronic Pro' by Mostardesign, 'Fact' by ParaType, and 'Core Sans M' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, sports branding, promo graphics, packaging, sporty, urgent, confident, modern, punchy, grab attention, convey motion, maximize impact, modern display, slanted, compressed, rounded, blocky, high-impact.
A heavy, forward-slanted sans with compressed proportions and smooth, rounded geometry. Curves read as squarish rounds, giving bowls and counters a compact, superellipse-like feel, while straights and joins stay clean and unadorned. Stroke weight is broadly even, terminals are blunt, and the overall rhythm is dense and tightly packed, producing strong color in words and lines of text. Numerals and capitals keep the same sturdy, compact build, emphasizing a cohesive, high-mass silhouette.
Best suited to large-size typography where its dense weight and slanted stance can deliver impact—headlines, posters, sports and event branding, promotional graphics, and bold packaging or labeling. It can work for short bursts of text or emphatic UI callouts, but extended reading at small sizes may feel tight due to the compact counters and heavy texture.
The voice is energetic and assertive, with a fast, action-oriented slant that suggests motion and immediacy. Its compact, rounded forms feel contemporary and functional rather than formal, projecting a confident, athletic tone suited to attention-grabbing messages.
The design appears intended to provide a compact, high-impact sans with a strong sense of motion, balancing blunt strength with softened, rounded geometry. It aims to stay clean and contemporary while delivering a bold, energetic silhouette for display-driven communication.
The combination of compression and strong rounding makes counters relatively small, so spacing and size choices will strongly affect clarity. The italic angle is prominent, giving headlines a pronounced forward drive and a slightly industrial, poster-like presence.