Sans Superellipse Uspy 3 is a bold, very wide, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, sportswear, gaming ui, techno, futuristic, industrial, sporty, assertive, impact, modernity, technical, display strength, rounded corners, squared curves, blocky, modular, compact counters.
A heavy, wide sans with a superelliptic construction: strokes terminate in rounded-rectangle corners and curves resolve into squared arcs rather than true circles. The geometry is strongly modular, with consistent corner radii, flattened bowls, and compact internal counters that keep forms tight and dense. Many letters show purposeful ink-trap-like notches and step-like joins, adding sharp detail within an otherwise rounded framework. Spacing and proportions feel engineered for impact, with broad capitals and sturdy lowercase that maintain clear silhouettes at display sizes.
Best suited to display contexts where a bold, technical voice is needed: headlines, posters, logotypes, product branding, esports and gaming interfaces, and sports or automotive graphics. It can work for short bursts of text in UI or packaging when strong presence and high-impact letterforms are priorities.
The overall tone is futuristic and industrial, evoking sci‑fi interfaces, motorsport graphics, and hardware labeling. Its squared-round forms and dense weight convey strength and control, while the small cut-ins and angular joins add a technical, machined character.
The design appears intended to deliver a modern, machine-made look built from rounded rectangles, balancing friendliness from softened corners with the authority of heavy, wide proportions. The added notches and squared curves suggest an aim for a distinctive, engineered identity that remains legible in large-scale applications.
The figures and round letters (like 0/O) read as rounded rectangles, reinforcing a systematic, device-like rhythm across the set. Diagonals (V, W, X) stay thick and stable, and the punctuation/marks shown in the sample text maintain the same squared-round vocabulary, helping long lines look cohesive and intentionally mechanical.