Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Inline Jewa 5 is a very bold, wide, low contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, packaging, signage, retro, circus, playful, bold, sporty, display impact, vintage flair, dimensional effect, signage utility, brand emphasis, slab-serif, inline, shadowed, chunky, rounded.


Free for commercial use
Customize the font name

A heavy, slab‑serif display face with soft corners and broad, blocky proportions. Each letterform is cut by consistent inline channels that read as white stripes within the strokes, creating a carved, dimensional effect. Strokes are mostly uniform in weight, with large counters and simplified joins that keep forms open despite the dense color. The design uses sturdy verticals, squared terminals, and compact curves, with a few stylized details (notably in the lowercase) that add a lively, sign-lettered rhythm.

Best suited for large sizes such as posters, headlines, branding marks, packaging fronts, and short display lines where the internal striping can be clearly read. It can also work for sports/event graphics and storefront or menu-style signage, especially when paired with a simpler companion text face for longer copy.

The inline carving and chunky slabs give a showcard, mid‑century poster energy—confident, attention-grabbing, and a bit theatrical. It feels at home in playful, loud settings where impact matters more than restraint, evoking fairground signage, sports graphics, and vintage advertising.

The design appears intended to deliver maximum impact with a decorative, dimensional inline effect, capturing a vintage showcard sensibility while remaining sturdy and legible at display sizes. Its wide stance and slab structure prioritize presence and readability, while the carved interior lines add flair and hierarchy without requiring additional effects.

The inline treatment creates strong internal highlights that can flip between “engraved” and “outlined” depending on background color and printing conditions. The lowercase introduces more personality than the uppercase, which remains more geometric and stable, giving designers options for either a stricter or more whimsical tone within the same voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸