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Serif Other Emba 9 is a bold, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, posters, magazine, branding, packaging, dramatic, theatrical, editorial, vintage, quirky, distinctive display, classic remix, crafted feel, brand voice, headline impact, wedge serifs, triangular notches, ink traps, sculpted, high impact.


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This typeface presents heavy, sculpted letterforms built from broad strokes and sharply carved wedge serifs. Many joins and terminals are defined by triangular cut-ins and notch-like apertures, creating a chiseled, stencil-adjacent rhythm without fully breaking the strokes apart. Curves (notably in C, G, O, and the lowercase bowls) are smooth and generous, but are frequently interrupted by crisp interior facets that give the glyphs a cut-paper or engraved feel. Spacing is fairly open for the weight, and the overall texture reads as emphatic and graphic rather than text-neutral.

Best suited to display applications where its carved details can be appreciated: headlines, posters, editorial covers, branding marks, and packaging. It can also work for short pull quotes or section openers, but the pronounced notches and heavy texture make it less appropriate for long-form reading at small sizes.

The tone is dramatic and slightly eccentric, combining a classic serif silhouette with assertive, decorative cut-ins that feel theatrical and attention-seeking. It carries a vintage-editorial flavor—formal enough to suggest tradition, but stylized enough to feel intentionally unconventional and display-driven. The resulting voice is bold and confident, with a playful edge created by the recurring notches and sharp terminal geometry.

The design appears intended to reinterpret a traditional serif foundation through a consistently faceted, cut-in construction, yielding strong impact and a distinctive identity. Its repeated wedge terminals and triangular incisions suggest an emphasis on memorable silhouette, high-contrast shapes at the macro level, and a crafted, engraved-like finish for display typography.

Uppercase forms are especially monumental, while the lowercase introduces more idiosyncratic details (such as the single-storey a and the distinctive g) that reinforce the decorative construction. Numerals follow the same carved logic, with strong vertical stress and clear, graphic counters that remain legible at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸