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Free for Commercial Use

Sans Superellipse Odba 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Katerina' and 'Katerina P Rounded' by NicolassFonts; 'PF DIN Text', 'PF DIN Text Arabic', and 'PF DIN Text Universal' by Parachute; and 'Heiders' by Seventh Imperium (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, logos, friendly, confident, playful, modern, approachable, friendly impact, modern geometry, softened utility, brand presence, rounded, soft-cornered, chunky, compact, geometric.


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A heavy, rounded sans with smooth superelliptical curves and consistently softened corners throughout. Strokes are thick and largely monolinear, with broad bowls, generous interior counters, and compact joins that keep letters feeling sturdy rather than delicate. The overall rhythm is even and blocky, with simple geometric construction and minimal modulation; terminals and corners read as rounded-rectangle forms rather than circles. Numerals follow the same chunky, softened geometry, staying clear and stable at display sizes.

This font is best suited to headlines, branding, and short-form messaging where bold, friendly impact is needed. It works well for packaging, signage, and logo wordmarks that benefit from a soft, modern geometric voice, and it can carry promotional copy when set with comfortable spacing.

The tone is bold and friendly, combining a contemporary geometric feel with a soft, approachable warmth. Its rounded-rectangle shaping gives it a playful, packaged-product energy while still reading confident and straightforward.

The design appears intended to deliver maximum readability and presence with a softened geometric aesthetic. By using superelliptical shapes and rounded corners, it aims to feel contemporary and inviting while remaining robust and highly legible in large sizes.

Round letters like O and Q read as squared-off ovals with softened corners, reinforcing the superelliptical theme. The lowercase shows single-storey forms (notably a and g), and the overall design favors clarity and impact over finesse, making it feel purpose-built for prominent, attention-getting typography.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸