Sans Faceted Idnon 2 is a very light, narrow, medium contrast, upright, normal x-height font.
Keywords: headlines, branding, posters, logotypes, invitations, art deco, elegant, airy, geometric, sophisticated, decorative display, geometric styling, editorial elegance, vintage modernism, monoline, hairline, angular, faceted, tapered.
This typeface uses extremely thin, hairline strokes with crisp, faceted joins that turn curves into planar, angular arcs. The construction is largely monoline with subtle optical modulation, and terminals are clean and unbracketed, producing a delicate, high-contrast-on-white look despite the light weight. Uppercase forms are narrow and tall, with generous internal counters in letters like O and Q, while lowercase keeps a straightforward, upright skeleton and a modest x-height relative to the ascenders. Numerals are similarly slender and geometric, with sharp inflections and open, airy spacing.
Best suited to display settings such as headlines, fashion or lifestyle branding, posters, and logo wordmarks where its faceted geometry can read clearly. It can work well for invitations and upscale packaging that benefit from a light, elegant presence. For long passages or small sizes, the hairline strokes may become fragile, so larger setting sizes and ample whitespace are recommended.
The overall tone feels refined and decorative, with a cool, architectural elegance that recalls vintage display lettering. Its faceted geometry reads as stylish and curated rather than utilitarian, giving text a boutique, editorial mood. The thin strokes convey lightness and sophistication, suggesting premium or art-focused contexts.
The design appears intended as a decorative, geometry-driven sans with faceted curves, prioritizing a distinctive silhouette and an Art Deco–leaning rhythm over neutral text performance. Its consistent hairline construction and sharp planar turns suggest a focus on refined display typography and stylized branding applications.
The faceting is especially apparent in rounded glyphs (C, O, S, 8), where the curvature is implied through angled segments. The design maintains a consistent rhythm across cases, and the narrow proportions help create verticality and poise; the hairline weight, however, makes it visually dependent on sufficient size and contrast.