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Free for Commercial Use

Slab Normal Yija 12 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Arcanite Slab' by 38-lineart, 'Artegra Slab' by Artegra, 'Fenomen Slab' by Signature Type Foundry, 'Etelka Slab' by Storm Type Foundry, 'Gintona Slab' by Sudtipos, and 'Typewriter' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, retro, friendly, confident, sporty, playful, display impact, friendly tone, retro flavor, headline clarity, chunky, rounded, soft serifs, ink-trap feel, compact counters.


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A heavy, slanted slab-serif with broad proportions and a soft, rounded finish. Strokes are consistently thick with minimal modulation, and the slab terminals read as blunt yet cushioned rather than sharp. Many joins and inner corners show subtle scooping that resembles ink-traps, helping counters stay open at this weight. The rhythm is steady and sturdy, with slightly condensed interior spaces and a pronounced forward lean that adds momentum.

This style is well suited to bold headlines, posters, and campaign graphics where a strong silhouette is needed. It can support branding and packaging that wants a friendly, retro-leaning voice, and it works well for short signage phrases and callouts. For longer passages, it’s best used sparingly (subheads, pull quotes) where its weight and slant remain comfortable to read.

The overall tone is bold and approachable, with a retro, sign-painted warmth rather than a formal editorial feel. Its chunky shapes and soft slabs project friendliness and confidence, landing in a sporty, poster-forward space. The italic slant adds energy, giving headlines a sense of motion and enthusiasm.

The design appears intended as a robust, high-impact slab-serif with softened details that preserve clarity at very heavy weights. Its forward slant and rounded slabs aim to combine punchy display presence with a personable, accessible character, making it effective for energetic, attention-grabbing typography.

Uppercase forms feel solid and blocky, while lowercase keeps a bouncy, readable texture; round letters like o and e stay fairly open for such a heavy design. Numerals are equally weighty and carry the same softened slab endings, making them visually consistent in display settings. The strong silhouette and compact counters suggest it performs best when given a bit of breathing room in tracking and line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸