Sans Superellipse Kydar 7 is a bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Avionic' by Grype (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, gaming, techno, futuristic, industrial, sporty, game ui, impact, modernity, technical, signage, squared, rounded corners, extended, blocky, modular.
A heavy, extended sans built from squared-off, rounded-rectangle forms. Curves resolve into softened corners rather than true circles, giving bowls and counters a squarish, superelliptical geometry. Strokes are largely uniform with crisp terminals and frequent use of straight segments, while diagonals in letters like V/W/X/Y and figures like 4/7 introduce sharp, engineered angles. Counters tend to be rectangular and tightly controlled, producing a compact, stenciled feel in places (notably in E/F/S and several numerals) and a strong, consistent silhouette across the set.
Best suited to large-size settings where its geometric details and tight counters remain clear—headlines, posters, logotypes, product branding, and packaging. It also fits UI/display contexts such as gaming screens, esports graphics, and tech-forward signage where a strong, engineered voice is desired.
The overall tone is contemporary and machine-made, with a confident, high-impact presence. Its squared rounding reads as technical and futuristic rather than friendly, suggesting speed, hardware, and interface aesthetics. The wide stance and dense black shapes give it a loud, display-forward personality suited to attention-grabbing headlines.
The letterforms appear designed to translate a superelliptical, rounded-rectangle construction into a robust display sans. The consistent modular shapes and squared counters suggest an intention to feel technical and contemporary while maintaining legibility through simple, repeatable geometry.
The design favors distinctive, modular construction: the uppercase G uses an inset horizontal, the Q features a short tail, and many lowercase forms (a, e, s) use compact apertures with flattened horizontal cuts. Numerals are similarly geometric and angular, matching the letterforms’ rounded-rectangle logic for a cohesive alphanumeric palette.