Sans Normal Abdub 7 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'Geometrica' and 'PGF Caprina Pro' by PeGGO Fonts (names referenced only for comparison).
Keywords: ui labels, editorial, branding, marketing, infographics, modern, clean, technical, efficient, neutral, emphasis, readability, contemporary tone, system design, clarity, humanist, open apertures, rounded terminals, smooth curves, crisp.
A slanted sans with smooth, low-contrast strokes and an overall wide set. Curves are broadly drawn and cleanly modulated, with round bowls (O, Q, o, e) that feel airy and open, and straight stems that stay even and uncluttered. Terminals read as mostly sheared by the slant rather than sharply cut, giving the forms a soft, streamlined finish. Uppercase proportions are balanced and fairly expansive, while lowercase keeps a straightforward, contemporary skeleton with a single-storey a and compact, readable counters.
It works well for UI labels, navigation, and dashboard text where a clean, contemporary italic is useful for hierarchy. The wide rhythm and smooth curves also suit editorial subheads, captions, and marketing copy that benefits from a brisk, modern tone. In branding systems, it can serve as an accent style for emphasis without becoming decorative.
The tone is modern and matter-of-fact, leaning toward a functional, contemporary voice rather than expressive or decorative. The consistent slant and generous spacing add a sense of motion and efficiency, making it feel well suited to interface-forward or editorial environments where clarity and pace matter.
The design appears intended to provide a versatile, contemporary slanted sans that maintains clarity at text sizes while offering a dynamic, forward-leaning texture for emphasis. Its open forms and even stroke behavior suggest an emphasis on readability and consistent typographic color across mixed-case settings.
Legibility is supported by open apertures and distinct numeral shapes, with rounded forms dominating the texture and keeping color even across words. The italic angle is strong enough to read as intentional emphasis, yet restrained enough to remain calm in longer passages.