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Sans Superellipse Emmin 5 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Bantat' by Jipatype (names referenced only for comparison).

Keywords: ui design, app branding, tech marketing, product labels, transportation signage, techy, sleek, sporty, contemporary, efficient, modernize, add motion, brand geometry, streamline readability, oblique, rounded, geometric, streamlined, taut.


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A slanted, geometric sans with rounded-rectangle construction and softened corners throughout. Curves tend toward superelliptical bowls rather than perfect circles, giving letters a squarish roundness and a compact, engineered feel. Strokes are largely uniform with clean terminals, and joins stay crisp even where forms bend. Counters are open and simple, while the oblique angle and taut spacing create a forward-leaning rhythm that reads as fast and modern.

This font suits UI and product contexts where a modern oblique sans can add a sense of speed without sacrificing clarity. It works well for app branding, interface labels, tech marketing, packaging, and short headlines where the rounded-rect geometry becomes a recognizable signature. In longer copy, it performs best when ample size and spacing preserve the clean, slanted texture.

The overall tone is contemporary and purposeful, with a subtle "motion" quality from the consistent slant. Its rounded geometry keeps it friendly and approachable, but the squared curves and clean construction push it toward a technical, product-driven voice. It feels at home in environments that aim to look modern, efficient, and slightly sporty.

The design appears intended to deliver a contemporary oblique sans with a distinctive rounded-rectangle skeleton—combining technical precision with approachable softness. The uniform stroke behavior and simplified shapes suggest a focus on consistency and brandable geometry, optimized for clear, modern communication.

Several letters show distinctive squared bowls (notably in round glyphs and numerals), reinforcing the superellipse theme. The lowercase has a single-storey approach where visible (e.g., a and g), keeping the texture clean and informal. Numerals follow the same rounded-rect logic, with smooth corners and straightforward forms that align well with the text rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸