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Pixel Dash Ubni 5 is a very light, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, posters, interface labels, tech branding, event graphics, digital, technical, minimalist, retro, schematic, digital display, retro interface, grid exploration, texture-driven, monoline, segmented, dashed, modular, geometric.


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A monoline, segmented display design built from tiny vertical strokes and short dash-like bars. Each glyph sits within a loose pixel grid, with long continuous-looking stems implied by closely spaced segments and corners suggested by small clusters of marks. Curves are rendered as stepped, squared-off arcs, producing angular bowls and rounded forms that read as quantized outlines rather than smooth strokes. Spacing and widths vary noticeably between letters, giving the text a lively, irregular rhythm while maintaining consistent stroke thickness and a coherent grid-driven construction.

Best suited to display settings where the segmented structure can be seen clearly: headlines, posters, title cards, and short UI or HUD-style labels. It can also support tech-oriented branding and editorial graphics that want a retro digital or schematic feel, but it is less appropriate for long-form reading at small sizes.

The overall tone feels digital and instrument-like, evoking terminals, lab readouts, and retro-futuristic interfaces. Its sparse, dotted construction conveys precision and a slightly cryptic, coded character, with a minimalist energy that reads more schematic than expressive.

The design appears intended to translate familiar letterforms into a modular, dash-based system that emphasizes grid logic and signal-like texture. It prioritizes a distinctive digital rhythm and a constructed, pixel-informed silhouette over continuous strokes, creating a recognizable voice for techno and retro-interface contexts.

At larger sizes the segmented logic becomes a defining texture, creating a flicker-like cadence along stems and curves. At smaller sizes, the broken strokes and open counters can reduce clarity, so it benefits from generous size and leading where the modular pattern can be appreciated.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸