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Free for Commercial Use

Solid Lefe 6 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Osaka Chips' by Ergibi Studio, 'Bazinga Comic' by Ferry Ardana Putra, 'Antry Sans' by Mans Greback, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Sans Beam' by Stawix, and 'Herokid' by W Type Foundry (names referenced only for comparison).

Keywords: posters, logos, headlines, packaging, kids media, playful, goofy, bubbly, cartoon, chunky, visual punch, playfulness, cartoon styling, novelty impact, rounded, blobby, soft, organic, hand-drawn.


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A heavy, rounded display face with blobby, organic contours and a pronounced rightward slant. Strokes swell into soft, uneven edges, giving each glyph a slightly different silhouette and rhythm rather than strict geometric repetition. Counters are largely closed or collapsed, so letters read as solid shapes with only occasional pinhole-like openings. The proportions feel tall and compact with short crossbars and simplified joins, producing a dense, poster-like texture in words and lines.

Best suited for short, high-impact text such as posters, headline treatments, logo wordmarks, stickers, and playful packaging where bold shape is more important than fine detail. It can also work for kids-oriented or novelty contexts, titles, and splash graphics where a chunky, solid texture is desired.

The overall tone is comedic and lighthearted, with a squishy, cartoonish presence that feels more like cut-out shapes or paint blobs than traditional letterforms. Its irregularity adds a mischievous, informal energy that suits playful or intentionally messy styling.

The design appears intended to deliver maximum visual weight and personality through rounded, irregular silhouettes and filled-in interiors, prioritizing graphic punch and humor over conventional readability. It aims to feel hand-made and animated, like soft cut paper or ink-heavy lettering.

Because many interior spaces are filled, letter differentiation relies strongly on outer silhouettes; this increases impact at large sizes but can reduce clarity in longer text. The slanted stance and lumpy terminals create a lively, bouncing baseline feel, especially in mixed-case settings and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸