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Sans Contrasted Kimu 4 is a very bold, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, album art, futuristic, techno, modular, space-age, assertive, display impact, sci-fi styling, brand distinctiveness, industrial tagging, graphic texture, stencil-like, geometric, rounded, segmented, blocky.


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A geometric sans with heavy, rounded bowls and sharply cut terminals, built around conspicuous horizontal breaks and notches that create a segmented, almost stencil-like construction. Counters tend to be tight and oval, with several letters (e.g., E, S, O, B) showing internal bands that read as cutouts rather than continuous strokes. Proportions vary noticeably by glyph: some forms are wide and bowl-driven while others rely on thin, straight stems, producing an intentionally uneven rhythm. Lowercase mixes compact rounded forms with tall, hairline-like ascenders and descenders, giving a hybrid of chunky shapes and spidery verticals.

Best suited for short display settings where the segmented detailing can be appreciated: headlines, posters, wordmarks, packaging, and entertainment-oriented graphics. It can work for UI accents or section headers when used large, but the internal cutouts and tight counters make it less comfortable for long text or small sizes.

The overall tone is synthetic and futuristic, evoking industrial labeling and sci‑fi display typography. The repeated horizontal interruptions add a coded, electronic feel, while the blunt geometry keeps it forceful and graphic. It reads as designed for impact and character rather than neutrality.

The design appears intended to deliver a bold, distinctive identity through geometric forms interrupted by deliberate horizontal cutlines. The contrast between chunky bowls and thin vertical elements suggests a stylized, engineered aesthetic aimed at futuristic or industrial branding contexts.

Distinctive silhouette features include a triangular, inverted-V style "V", a wide "W" with deep inner joins, and numerals that echo the same banded cutout motif (notably 2, 3, 5, 6, 8, 9). The segmented detailing is consistent across caps, lowercase, and figures, which strengthens brandability but increases visual noise at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸