Print Kigut 1 is a bold, narrow, low contrast, upright, short x-height font.
Keywords: headlines, posters, packaging, children’s, social media, playful, friendly, casual, whimsical, folksy, handmade feel, approachability, cheerful tone, display impact, rounded, bouncy, marker-like, hand-drawn, soft terminals.
A hand-drawn print face with thick, rounded strokes and gently irregular contours that mimic a marker or brush pen. Letters sit upright but have a lively, uneven rhythm: widths and internal counters vary from glyph to glyph, and curves are slightly lopsided in an intentional, human way. Terminals are mostly soft and blunt, with minimal contrast and smooth joins; bowls and rounds are generous while many verticals feel slightly compressed. Lowercase forms are compact with a relatively small x-height, and ascenders/descenders are modest, supporting a dense, casual texture in text.
This font works best for short to medium-length settings where personality matters: headlines, posters, product packaging, labels, invitations, and social graphics. The heavy stroke and rounded construction also make it suitable for kids-oriented materials, crafts, and casual signage, especially at display sizes where the hand-drawn details can be appreciated.
The overall tone is warm, informal, and approachable, with a lighthearted character that feels personal rather than polished. Its bouncy proportions and rounded shapes give it a kid-friendly, crafty energy suited to cheerful messaging and relaxed branding.
The design appears intended to replicate an upbeat, marker-written print style—prioritizing friendliness and spontaneity over strict uniformity. It aims to deliver a handmade voice that stays legible while preserving natural variation and a relaxed, conversational rhythm.
Capitals read as simple, sign-like forms with softened corners, and several glyphs show distinctive handwritten quirks (notably in curved letters and numerals), enhancing the handmade authenticity. The bold stroke weight helps maintain presence in short lines, though the organic spacing and shape variation are more expressive than strictly typographic.