Print Bugor 11 is a regular weight, narrow, low contrast, upright, short x-height font.
Keywords: kids branding, packaging, posters, invitations, labels, playful, friendly, casual, quirky, hand-drawn, human touch, approachability, informal clarity, playfulness, rounded, monoline, bouncy, soft terminals, irregular rhythm.
A monoline, hand-drawn print style with rounded forms and gently uneven stroke edges that mimic marker or felt-tip drawing. Curves are smooth and open, with soft terminals and occasional subtle wobble that creates an organic, human rhythm. Proportions feel compact and slightly condensed, with simple geometric underpinnings in bowls and counters, while letter widths vary enough to keep the texture lively. Uppercase shapes stay straightforward and legible, while the lowercase introduces more personality through loopier descenders and relaxed joins within individual letters (without connecting between letters).
Well-suited to short-to-medium text where a friendly handwritten flavor is desired—children’s and family-oriented branding, playful packaging, labels, menus, greeting cards, invitations, and casual posters. It also works effectively for headings and callouts in educational or craft contexts where warmth and approachability are priorities.
The overall tone is approachable and lighthearted, like neat hand lettering used for notes, labels, or classroom materials. Its small irregularities add warmth and informality, giving text a personable, conversational feel rather than a polished corporate voice.
The design appears intended to deliver a clean, readable handwritten print with a consistent monoline feel and a gentle dose of quirky personality. It aims to look naturally drawn while staying tidy enough for repeated use in branding and informal display typography.
Round counters and generous internal space help maintain clarity at display sizes, and the numerals follow the same friendly, drawn consistency. The texture remains coherent across the character set, balancing charm with readability, though the hand-made irregularity becomes more noticeable in long passages.