Sans Faceted Fuve 12 is a regular weight, very narrow, low contrast, italic, normal x-height font.
Keywords: headlines, posters, logotypes, sports branding, tech branding, dynamic, technical, edgy, futuristic, condensed, add motion, look engineered, stand out, save space, angular, faceted, slanted, planar, crisp.
A sharply angled, forward-leaning sans with faceted constructions that replace curves with short straight segments. Strokes stay fairly even in thickness, with crisp terminals and frequent chamfered corners that create a cut-metal, polygonal feel. Proportions are tall and compressed, and the set maintains a consistent rightward slant across caps, lowercase, and numerals. Counters are narrow and often polygonal, while diagonals dominate the rhythm, giving the texture a taut, fast-moving cadence in text.
Best suited to display settings where its angular, slanted texture can carry personality—headlines, posters, titles, packaging callouts, and brand marks. It also works well for tech, automotive, gaming, or sports-oriented identities where a sense of motion and precision is desirable, and for short UI labels or numerals when a compact, punchy look is needed.
The overall tone feels kinetic and engineered, mixing a retro-industrial sharpness with a contemporary, tech-forward edge. Its angularity and slant read as assertive and streamlined, suggesting speed, precision, and a slightly aggressive modernity.
The design appears intended to deliver a compact, energetic sans voice by combining condensed proportions with a consistently faceted, chamfered construction. The goal seems to be a distinctive, modern display style that remains structurally simple and repeatable across the character set for strong visual consistency.
Uppercase forms lean on simplified geometry—many letters resolve into straight spines and diagonal joins—while lowercase keeps the same faceted logic, producing a cohesive voice across cases. Numerals follow the same cut-corner treatment, helping data-heavy lines look uniform and purposeful. The strong diagonal stress can make long passages feel busy, but it also gives short lines and headlines a distinctive, branded silhouette.