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Free for Commercial Use

Solid Abme 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Lyu Lin' by Stefan Stoychev, 'Aksioma' by Zafara Studios, and 'Artico' by cretype (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, event flyers, playful, chunky, cartoony, hand-cut, quirky, max impact, handmade feel, playful branding, novel display, rounded, blobby, soft corners, uneven, compact.


Free for commercial use
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A heavy, rounded display face with irregular, hand-cut contours and softly blunted terminals. Letterforms are built from thick, almost monoline strokes with noticeable wobble in edges and joins, giving a cut-paper silhouette rather than geometric precision. Counters are largely collapsed, so many characters read as solid shapes with only minimal notches or apertures; spacing feels tight and compact, and curves dominate over sharp angles. Overall rhythm is lumpy and uneven in an intentional way, producing a bold, poster-like texture in text settings.

Best suited to short, large-size typography where its solid silhouettes and bouncy rhythm can read clearly—posters, headlines, packaging callouts, stickers, and playful event materials. It can also work for logos or wordmarks that benefit from a handmade, chunky presence, but is less appropriate for dense body copy.

The font conveys a fun, slightly mischievous tone—more craft and cartoon than corporate. Its chunky silhouettes and imperfect edges feel friendly and informal, suggesting handmade signage, kids’ media, or quirky novelty branding.

Likely designed to maximize visual punch and personality through simplified interiors and hand-drawn irregularity, prioritizing a bold graphic footprint over conventional readability. The consistent softness and wobble suggest an intention to feel approachable and crafted rather than precise.

Because interior openings are reduced, similar shapes can rely on outer silhouettes for differentiation, which increases impact but can reduce clarity at smaller sizes. The numerals and capitals maintain the same soft, irregular massing, helping the font keep a consistent, punchy color across lines.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸