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Free for Commercial Use

Solid Anro 3 is a bold, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, album covers, playful, retro, quirky, graphic, bold, visual impact, novelty display, retro styling, silhouette legibility, geometric, cutout, stencil-like, teardrop terminals, ball terminals.


Free for commercial use
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A heavy, display-oriented Latin with simplified, often collapsed counters and large solid forms that create a strong silhouette. Many letters use geometric construction—near-circular bowls and broad vertical stems—paired with selective cutouts that suggest counters rather than fully opening them. Curves are smooth and bulbous, while some joins and terminals taper into teardrop-like shapes, producing pronounced thick–thin moments within otherwise chunky strokes. Proportions vary across glyphs, with especially wide rounds (O, Q, 0, 8, 9) contrasting narrower, pillar-like forms (I, l, 1), giving the text a lively, uneven rhythm.

Best suited for short, high-impact text such as headlines, posters, branding marks, packaging callouts, and entertainment or event graphics where bold shapes and novelty details read as intentional style. It can also work for large-sized display copy in retro-themed layouts, but the collapsed interiors suggest avoiding long passages at small sizes.

The overall tone is playful and attention-grabbing, with a vintage poster feel and a distinctly whimsical, novelty character. The filled-in interiors and exaggerated round shapes make it feel bold, cheeky, and highly graphic rather than neutral or editorial.

The font appears designed to maximize visual punch through solid shapes and reduced interior detail, creating a distinctive, easily recognizable texture in display sizes. Its mix of geometric bowls and tapered terminals suggests an intention to feel both retro and playful while maintaining strong legibility through silhouette.

The design leans on black mass and negative-space notches for recognition, so letter identity is driven more by outer contour and cutout placement than by traditional counter shapes. Round glyphs are especially dominant, and the font’s personality comes through strongly in mixed-case settings where the irregular widths create a bouncy texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸