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Free for Commercial Use

Inline Dono 1 is a bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Fragtude' by Letterhend, 'NS Gibswing' by Novi Souldado, and 'Kelpt' and 'Kelpt Sans' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, signage, brand marks, packaging, vintage, circus, poster, western, theatrical, attention-grabbing, heritage feel, engraved effect, poster style, signage look, decorative, flared, bracketed, incised, compact.


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A compact, display-oriented serif with tall lowercase proportions and strongly flared, bracketed terminals. Strokes are heavy and mostly vertical in stress, with a consistent incised inline cut that runs through the main stems and bowls, creating a carved, dimensional look. Counters are relatively tight and the overall rhythm is dense, with blocky shapes, sturdy serifs, and occasional notched joins that emphasize a woodtype/letterpress feel. Numerals and capitals keep the same robust construction and the inline treatment remains visually consistent across the set.

Best suited for headlines, poster typography, signage, packaging, and logo-style wordmarks where the inline carving can be appreciated. It performs well in short bursts—titles, labels, and display copy—especially in high-contrast, single-color applications that highlight the incised detail.

The font projects a bold, old-time showbill personality—confident, slightly ornate, and nostalgic. Its carved inline detail adds a hint of craftsmanship and stage-poster drama, evoking classic circus, saloon signage, and early advertising typography.

The design appears intended as a decorative display serif that combines stout, condensed proportions with an engraved inline to suggest depth and craftsmanship. The goal is immediate visual impact and a heritage, show-poster tone rather than quiet body-text neutrality.

The inline channel is thick enough to read clearly at headline sizes, but the dense interior detail and tight counters can start to merge when set small or in long passages. The lowercase has prominent verticality and a sturdy, compact color, making it especially impactful in short words and stacked layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸