Sans Normal Dobep 13 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'AG Book W1G' by Berthold; 'Helvetica Now' by Monotype; 'Bassen' by SRS Type; 'Europa Grotesk No. 2 SH', 'Europa Grotesk SB', and 'Europa Grotesk SH' by Scangraphic Digital Type Collection; and 'Nimbus Sans Arabic' and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: ui text, body text, editorial, product design, wayfinding, clean, modern, neutral, friendly, technical, clarity, versatility, readability, modern neutrality, functional design, monoline, open apertures, rounded forms, humanist touch, clear numerals.
This typeface is a monoline sans with smooth, rounded curves and largely straight, unembellished terminals. Proportions are balanced and contemporary, with generous counters in letters like O, D, and P and open apertures that keep shapes from closing up in text. The lowercase shows a two‑storey a and a single‑storey g, paired with a simple, compact t and a plain i with a round dot, giving the rhythm a practical, text-ready feel. Numerals are clean and straightforward, with a circular 0, an open-top 4, and a smoothly drawn 2 and 3 that maintain the same even stroke logic as the letters.
It suits UI and product typography where clean shapes and dependable legibility are priorities, and it holds up well in paragraphs for editorial or documentation work. The straightforward numerals and uncluttered capitals also make it a solid choice for dashboards, labeling, and basic signage.
The overall tone is neutral and modern, aiming for clarity over personality. Rounded forms and open spacing lend a friendly, approachable feel, while the restrained construction keeps it suitable for informational and interface-oriented contexts.
The design appears intended as a general-purpose sans optimized for clarity and consistency across mixed-case text and numbers. Its restrained geometry and open internal spaces suggest an emphasis on everyday readability and a calm, contemporary presentation.
Capitals are crisp and economical, with a symmetrical, pointed W and a clean diagonal X, and the Q uses a small tail that stays unobtrusive. Curves in C, S, and G feel consistent and controlled, supporting an even reading color across longer lines of text.