Sans Contrasted Opju 2 is a bold, very narrow, very high contrast, upright, short x-height font.
Keywords: headlines, posters, titles, branding, packaging, art deco, theatrical, vintage, noir, poster-ready, period display, dramatic impact, stylized titling, glamour, condensed, tall, geometric, angular, ink-trap-like.
A tall, tightly condensed display face with dramatic thick–thin modulation and predominantly straight-sided construction. Stems are heavy and vertical, while joins and diagonals often taper into sharp points, creating a cut-paper feel and a rhythmic alternation of dense black areas and fine hairline connections. Counters are narrow and sometimes partially pinched, with several glyphs showing small triangular notches or wedge-like cut-ins at internal corners that read like ink traps or stencil-inspired cutouts. Overall spacing and letterfit appear compact, emphasizing verticality and giving the alphabet a columnar, architectural presence.
Best suited to short-form, high-impact settings such as posters, film or event titles, album artwork, and bold brand marks where its condensed proportions and dramatic contrast can read as intentional style. It can also work for packaging and signage when set large, where the tight counters and hairline connections have enough space to remain clear.
The font projects a stylized, period display tone with strong stage-and-marquee energy. Its high drama and sharp modulation evoke classic cinema titles, cocktail-era signage, and Art Deco-era graphics, balancing elegance with a slightly eccentric, mischievous edge.
The design appears intended as a statement display sans that channels early-20th-century modern glamour through extreme vertical proportions and sculpted thick–thin strokes. Its cut-in details and tapered joins add character and help separate dense shapes in tight widths, suggesting a focus on striking, era-evocative titling rather than neutral text setting.
The forms lean toward geometric simplification, with many rounded letters rendered as vertical ovals and straightened curves. Several characters use pointed terminals and tapered diagonals that heighten the sense of motion, while the numerals maintain the same condensed, high-impact silhouette for consistent headline use.