Sans Faceted Tydi 6 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Celluloid JNL' by Jeff Levine and 'Charles Wright' by K-Type (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, apparel, industrial, sporty, techy, rugged, utilitarian, impact, durability, machine-like, display, blocky, angular, faceted, squared, stencil-like.
A compact, block-built sans with squared proportions and sharp planar cuts that replace most curves with straight facets. Strokes are heavy and even, with blunt terminals, chamfered corners, and rectangular counters that create a distinctly mechanical rhythm. The lowercase shows a tall x-height and simplified forms (single-storey a, compact e), while round letters like O/C/G read as squarish with softened, beveled corners. Overall spacing is sturdy and slightly tight, emphasizing a dense, label-like texture in text.
Best suited to headlines, posters, and branding where a strong, angular silhouette can carry the design. It also works well for packaging, apparel graphics, and product or equipment-style labeling where a rugged, engineered look is desirable. In longer passages it remains legible but reads dense and emphatic, making it more effective for short bursts of text.
The tone is tough and functional, with a sporty, industrial edge. Its faceted construction suggests machinery, equipment markings, and engineered products, conveying strength and directness rather than elegance.
Likely intended to deliver a durable, industrial display voice by translating traditional sans forms into a faceted, chamfered geometry. The goal appears to be strong visual impact and a consistent, machined aesthetic across all glyphs.
The design leans on consistent chamfers and flattened curves to maintain cohesion across uppercase, lowercase, and numerals. Numerals are similarly squared and sturdy, suited to large, high-impact settings where the angular silhouette is a feature.