Sans Superellipse Tinuj 2 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Gravitica Compressed' by Ckhans Fonts, and 'Fairweather' by Dharma Type (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, logos, industrial, poster, stamped, gritty, retro, high impact, vintage print, space saving, tactile texture, condensed, blocky, rounded corners, rough edges, inked.
This typeface is a condensed, heavy display sans with rounded-rectangle construction and compact counters. Strokes are thick and largely monolinear, with small apertures and tight interior space that create a dense, poster-ready texture. Edges show deliberate irregularities—subtle nicks, waviness, and uneven ink spread—giving the outlines a worn, printed look rather than a perfectly smooth digital finish. Capitals are tall and assertive, while the lowercase follows a straightforward, utilitarian structure; figures are sturdy and tabular-feeling, with simple, high-impact silhouettes.
Best suited for short, high-contrast applications such as posters, headlines, cover art, badges, and bold brand marks. It also works well for packaging, labels, and signage where a tough, vintage-industrial voice is desired and the distressed edges can be appreciated at larger sizes.
The overall tone is bold and workmanlike, with a distressed, inked character that reads as rugged and hands-on. It evokes vintage labeling and industrial signage—confident, slightly rough, and attention-grabbing—more about impact than refinement.
The design appears intended to deliver maximum impact in a condensed footprint while adding a tactile, printed patina. Its softened rectangular geometry keeps the forms friendly enough to avoid harshness, while the worn outline treatment supplies character and a sense of authenticity.
The narrow proportions concentrate black mass, so spacing and counters become visually tight at smaller sizes. The intentional roughness varies across strokes, which adds energy in headlines but can reduce crispness in long text. Round forms (like O/o/0) lean toward superelliptical shapes, reinforcing the squared-yet-soft personality.