Outline Vafi 11 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: posters, logotypes, headlines, signage, packaging, art deco, retro, neon, geometric, architectural, neon effect, retro display, decorative titling, brand impact, geometric clarity, monoline, inline, rounded, display, stylized.
A stylized outline face built from thick, monoline contours with an internal inline that echoes the outer path, creating a double-stroke, tunnel-like construction. Letterforms lean strongly geometric, mixing rounded corners and circular bowls with squared terminals and stepped interior joins. Counters are generally open and generous, and many glyphs use simplified, sign-like constructions (notably in curves and diagonals) that keep the rhythm even across the set. Numerals and capitals share a consistent modular logic, with prominent arcs, flat horizontals, and neatly aligned inner channels.
Best suited to display settings such as posters, event graphics, storefront or wayfinding signage, titles, and logo wordmarks where the outlined, inline construction can read clearly. It also works well for packaging accents and short taglines, especially in single words or compact lines set at larger sizes.
The double-line outline treatment reads like vintage marquee or neon tubing, giving the font a distinctly retro, Art Deco–adjacent mood. Its crisp geometry and graphic hollowness feel cinematic and nightlife-oriented, with a playful, poster-ready presence rather than a quiet editorial tone.
The design appears intended to deliver a decorative, era-evocative outline style that remains structured and coherent across letters and numerals. By pairing geometric proportions with a consistent internal channel, it aims to create a bold, attention-getting texture reminiscent of illuminated lettering and streamlined vintage titling.
The inline contour is a defining feature and remains fairly consistent in offset and thickness, producing a strong decorative texture in words. Because much of the visual mass lives in outlines, the type benefits from ample size and breathing room; tighter spacing can make the interior channels visually merge. Curves are especially prominent in O/Q/0/8/9, reinforcing a streamlined, sign-paint–inspired cadence.