Sans Superellipse Ugrez 2 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Newhouse DT' by DTP Types; 'Beachwood' by Swell Type; 'Ddt' by Typodermic; 'Balbek Pro', 'Balbek Pro Cut', and 'Bryson' by Valentino Vergan; and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sportswear, packaging, branding, sporty, urgent, industrial, impactful, retro, impact, motion, compactness, display strength, oblique, condensed, rounded corners, blocky, compact.
A heavy, tightly set oblique sans with compact proportions and rounded-rectangle construction. Strokes stay broadly uniform, with corners softened into superellipse-like curves rather than sharp terminals. Counters are small and rectangular-oval, and many joins and apertures are pinched to preserve density. The overall rhythm is brisk and forward-leaning, with sturdy verticals and simplified curves that keep forms bold and legible at display sizes.
Best suited for headlines, posters, and punchy branding where immediate impact matters. It works well on sports and fitness graphics, product packaging, labels, and promotional layouts that benefit from a fast, forward-leaning voice. Use larger sizes or generous tracking for longer phrases to keep counters and apertures from closing up.
The tone is assertive and energetic, leaning toward sporty and industrial messaging. Its compressed, slanted stance reads fast and punchy, suggesting motion, pressure, and high-impact emphasis. The rounded corners add a controlled, engineered feel rather than a friendly softness.
Likely designed to deliver maximum visual punch in a compact footprint while maintaining a cohesive rounded-rectangle geometry. The oblique angle and dense construction emphasize speed and strength, aiming for attention-grabbing display typography across modern, commercial contexts.
Uppercase and lowercase share a consistent, block-built logic, with single-storey forms where applicable and short, efficient extenders. Numerals follow the same compact, squared-off styling, keeping a uniform texture across mixed text. In longer lines, the dense color and tight interior spaces create a strong headline presence rather than a relaxed reading voice.