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Sans Faceted Afta 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Morgan Poster' by Feliciano, 'Borough Hall JNL' by Jeff Levine, 'Gilkons' by Letterhend, 'Exabyte' by Pepper Type, and 'Headlines' by TypeThis!Studio (names referenced only for comparison).

Keywords: posters, headlines, sports branding, game ui, packaging, industrial, sporty, futuristic, mechanical, assertive, impact, geometry, signage, modernity, ruggedness, angular, faceted, stencil-like, octagonal, compact.


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A compact, heavy sans with sharply faceted construction: curves are replaced by clipped corners and straight segments, producing an octagonal, planed look. Strokes are consistently thick with minimal modulation, and terminals tend to end in flat cuts or angled chamfers. Counters are tight and rectangular, giving letters a dense, blocky color; the lowercase follows the same geometric logic with single-storey forms and squared bowls. Numerals echo the same cut-corner geometry, with strong verticals and crisp, rigid joins that keep the texture uniform in display settings.

Best suited for display typography such as posters, headlines, and titles where its cut-corner geometry can be appreciated. It also fits sports branding, tech-themed graphics, game interfaces, and packaging that benefits from a strong, mechanical voice. For text-heavy layouts, larger sizes and generous tracking will help preserve legibility.

The overall tone feels industrial and engineered, with a sporty, forward-leaning energy despite the upright stance. The faceted shapes read as mechanical and technical, suggesting hardened materials, signage, and machine-made precision. Its bold presence communicates urgency and impact rather than softness or elegance.

The design appears intended to deliver a high-impact sans voice built from planar facets, trading smooth curves for crisp chamfers to achieve a rugged, engineered aesthetic. Its consistent stroke weight and compact proportions aim for strong signage-like clarity and a distinctive geometric signature in branding and titles.

In longer lines the dense spacing and squared counters create a strong, dark rhythm, so the design reads best when given breathing room. Distinctive chamfers on corners and the consistent straight-line construction help maintain recognition at larger sizes, while small sizes may lose interior clarity due to the tight apertures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸