Sans Superellipse Luki 12 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'ATF Poster Gothic' by ATF Collection, 'Military Jr34' by Casloop Studio, 'Moldr' and 'Moldr Thai' by Deltatype, and 'Revx Neue Rounded' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, logotypes, posters, packaging, signage, techy, friendly, futuristic, playful, robust, modern branding, digital feel, high impact, geometric consistency, approachable tone, rounded corners, soft terminals, geometric, compact counters, modular.
A heavy, geometric sans built from rounded-rectangle forms and smooth superellipse curves. Strokes maintain a consistent thickness with generously rounded corners and blunt, softened terminals that keep edges from feeling sharp. Counters are compact and often rectangular (notably in O and 0), giving the face a modular, constructed look; the lowercase keeps simple, single-storey forms with broad bowls and short, sturdy joins. Overall spacing reads even and stable, with a slightly squared rhythm that stays clear at display sizes.
This font suits bold headlines, branding marks, and short UI labels where a confident, high-impact voice is needed. Its modular geometry and rounded corners also work well for tech-forward packaging, event posters, and signage, especially when set at medium-to-large sizes.
The letterforms feel modern and engineered, with a friendly softness coming from the rounded corners and inflated geometry. Its sturdy shapes and boxy counters suggest a digital, sci‑fi tone, while the smooth curves and simplified lowercase add approachability and a playful edge.
The design appears intended to combine a constructed, digital feel with approachable rounding, using consistent stroke weight and superelliptical forms to create a distinctive, contemporary silhouette. It prioritizes strong presence and visual consistency across letters and numbers while keeping shapes simple and easily recognizable.
Round dots on i and j and the squarish punctuation echo the same softened-rectangle motif. Numerals follow the same geometry, with closed, blocky shapes that prioritize consistency over traditional serif-like detailing.