Sans Faceted Ohja 2 is a light, very narrow, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, signage, packaging, art deco, futuristic, architectural, retro tech, elegant, stylized modernism, space saving, decorative display, geometric clarity, geometric, angular, faceted, monolinear, compressed.
This typeface uses tall, compressed proportions with a consistent, linear stroke and crisp terminals. Curves are largely replaced by straight segments and small planar chamfers, creating a faceted silhouette on rounded forms like C, O, and S. Counters are narrow and vertical, and joins are clean and mechanical, with minimal modulation and an overall engineered rhythm. The lowercase follows the same condensed construction with simple, upright forms and compact bowls, while the numerals match the angular, cut-corner logic for a uniform texture in mixed text.
This font is well suited to headlines, posters, and branding where a condensed, stylized voice is needed. It can work effectively for logotypes and signage, especially in larger sizes where the faceted details read clearly. For longer passages, it is best used sparingly as a display face or for short bursts of text rather than dense body copy.
The overall tone feels sleek and architectural, with a strong Art Deco and retro-futurist flavor. Its sharp facets and narrow stance suggest precision, machinery, and stylized modernity rather than warmth or informality. The look is distinctive and display-forward, evoking signage, title cards, and streamlined industrial aesthetics.
The design appears intended to reinterpret geometric sans forms through a faceted, chamfered construction, trading smooth curves for crisp planar cuts. The goal seems to be a distinctive, space-efficient display style with a period-modern feel and a consistent mechanical geometry across letters and numerals.
The faceting is applied consistently across the character set, giving round letters a gem-like, planar edge. Narrow apertures and tight internal spaces create a dark, vertical rhythm when set in words, so spacing and size will strongly influence clarity. The punctuation shown (such as the dot) is small and simple, matching the restrained, linear construction.