Sans Rounded Murih 2 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: branding, logotypes, headlines, posters, ui labels, futuristic, tech, minimal, airy, playful, modernize, simplify, soften, differentiate, digitize, geometric, rounded, linear, open, clean.
This typeface uses a single, consistent stroke and rounded construction throughout, with curves and straight segments meeting in soft, radiused corners. Letterforms are largely geometric and open, favoring simplified shapes and generous internal space; many curves read as near-circular arcs, while horizontals are short and lightly stated. Proportions run wide with an even, calm rhythm, and the overall color on the page is light due to the fine line weight and open counters. Details like the high, arched shoulder in “m,” the looped descenders in “g/y,” and the clean, rounded bowls in “o/0/8/9” reinforce a cohesive, schematic feel.
It performs best in display contexts where its wide stance and minimalist line work can be appreciated—logotypes, short headlines, posters, packaging accents, and UI labels in tech or lifestyle settings. For longer passages, it’s likely to work more comfortably at larger sizes where the delicate strokes and open shapes maintain clarity.
The design communicates a sleek, forward-looking tone that feels digital and streamlined, with a friendly edge from the rounded geometry. Its light touch and spacious forms create an airy, understated presence suited to contemporary, interface-adjacent aesthetics rather than traditional print gravity.
The font appears designed to deliver a clean, contemporary sans voice with a distinctly rounded, geometric construction and a light, technical “drawn with a single pen” sensibility. Its simplified forms suggest an emphasis on modern branding and digital-facing typography where uniqueness and smooth rhythm are prioritized over conventional text sturdiness.
Several glyphs lean toward stylized, diagram-like construction (notably the angled strokes in “v/w/x” and the simplified terminals on “t” and “f”), which adds personality but can make similar forms feel closer at small sizes. The numerals match the letterforms closely, with rounded, continuous outlines and minimal contrast, keeping the set visually unified.