Stencil Geni 2 is a regular weight, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, signage, futuristic, industrial, technical, mechanical, sci‑fi, graphic impact, stencil utility, tech aesthetic, modularity, geometric, modular, cutout, monoline, angular.
A geometric sans with monoline strokes and deliberate cutouts that create consistent stencil-like breaks across straight and curved forms. The design mixes circular bowls (notably in O/Q and some lowercase) with sharply angled joins and simplified terminals, giving letters a modular, constructed feel. Counters are generally open and clean, and several glyphs show distinctive internal gaps or bridges that interrupt the stroke for a segmented rhythm. Overall spacing and proportions read broad and stable, with crisp edges and a strongly graphic silhouette.
Best suited to display sizes where the stencil breaks and geometric construction can be appreciated—headlines, posters, brand marks, packaging, and wayfinding-style graphics. It can also work for short UI labels or titles when a technical, engineered feel is desired, but the distinctive cutouts may become visually busy in extended body text.
The repeated bridges and segmented curves lend a utilitarian, engineered tone that feels at home in tech, fabrication, and speculative interfaces. Its clean geometry and conspicuous interruptions also evoke signage systems and sci‑fi display lettering, projecting precision and controlled toughness rather than warmth or calligraphic personality.
The design appears intended to merge a clean geometric sans foundation with systematic stencil bridging, creating a modern industrial aesthetic that remains highly recognizable. The consistent, repeatable cutout logic suggests an emphasis on modularity and strong graphic impact across letters and numerals.
The cutouts are prominent in round letters and some numerals, producing a distinctive pattern that becomes a defining texture in longer text. Uppercase forms are particularly architectural, while the lowercase maintains the same construction logic, keeping the family’s voice consistent across cases.