Blackletter Guha 13 is a regular weight, normal width, high contrast, upright, normal x-height font.
Keywords: posters, book titles, mastheads, branding, packaging, medieval, gothic, ceremonial, dramatic, authoritative, historical evocation, decorative display, dramatic tone, traditional authority, period styling, angular, calligraphic, ornate, spiky, chiseled.
This typeface features sharp, angular blackletter forms with pronounced stroke contrast and crisp, pointed terminals. Strokes read as broad-pen influenced, with wedge-like joins, broken curves, and compact interior counters that create a dense, dark texture in words. Capitals are highly stylized with sweeping hooks and blade-like diagonals, while the lowercase maintains a tight rhythm with narrow apertures and strong vertical emphasis. Numerals and punctuation follow the same carved, high-contrast logic, giving the set a cohesive, traditional display character.
This font is best used for display typography such as posters, titles, mastheads, and branding where a historic or gothic voice is desired. It can also work on packaging and labels for products that benefit from a traditional, craft, or ceremonial aesthetic, and as short pull-quotes or headings where its dense texture remains legible.
The overall tone is medieval and ceremonial, with a dramatic, authoritative presence that feels formal and historic. Its spiky contours and dense color suggest tradition, gravitas, and a slightly ominous edge, making it well suited to atmospheric or heraldic themes.
The design appears intended to evoke classic blackletter calligraphy through high-contrast, broad-nib stroke behavior and angular construction, prioritizing atmosphere and tradition over neutral readability. Its ornate capitals and strong vertical emphasis suggest it was drawn to make a bold, period-specific statement in headline settings.
In text lines the letterspacing appears relatively tight, and the compact counters can cause shapes to visually knit together, amplifying the black, textured word image. The capitals carry much of the ornamentation and can dominate at smaller sizes, while the lowercase provides a steadier, more repetitive rhythm typical of blackletter styles.