Script Olru 10 is a bold, normal width, medium contrast, italic, short x-height font.
Keywords: logos, packaging, headlines, invitations, posters, elegant, friendly, retro, confident, expressive, expressive display, handwritten charm, decorative caps, brand warmth, brushy, rounded, looped, slanted, bouncy.
A slanted, brush-like script with rounded forms and smooth, continuous curves that suggest quick handwritten movement. Strokes show noticeable tapering at joins and terminals, with soft, blunted ends and occasional thicker downstrokes that add a calligraphic rhythm. Letterforms lean forward with a lively, bouncing baseline feel, and the set mixes simple connections with open, separated shapes, giving it an informal flow rather than strict joining. Capitals are more decorative and looped, while lowercase remains compact with tight counters and a relatively low x-height that emphasizes ascenders and descenders. Numerals are similarly cursive and slightly swashy, keeping the same energetic stroke behavior.
Well-suited for branding and logo lockups, product packaging, café/restaurant signage, and promotional headlines where a friendly handwritten flourish is desired. It also fits invitations, greeting cards, and short statements on posters or social graphics, especially when set at larger sizes.
The font conveys an upbeat, personable elegance—polished enough for display use, but still clearly handwritten and approachable. Its forward slant and rounded brush motion give it a retro-leaning charm that feels celebratory and warm rather than formal or austere.
The design appears intended to capture a bold brush-script personality with decorative capitals and smooth cursive motion, balancing readability with expressive flair. Its proportions and stroke rhythm prioritize strong, stylish word shapes for display settings over extended text comfort.
The overall texture is dense and dark on the page, making it read best when given breathing room. Distinctive looped capitals and swash-like strokes create strong word shapes, while tighter lowercase spacing and compact counters can make long passages feel busy at smaller sizes.