Sans Superellipse Dugav 6 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui design, app interfaces, signage, headlines, branding, futuristic, tech, clean, friendly, minimal, modernization, ui clarity, tech tone, geometric cohesion, softening edges, rounded, squared, geometric, soft, modular.
A geometric sans built from rounded-rectangle and superellipse-like curves, with consistent monoline strokes and generously radiused corners. Counters tend toward squarish ovals, giving bowls and apertures a compact, controlled feel while keeping edges soft. Terminals are mostly horizontal or vertical with rounded ends, and curves transition smoothly into straight segments, producing a crisp, engineered rhythm. The overall proportioning favors sturdy shapes and clear silhouettes; lowercase forms stay simple and open, and numerals follow the same rounded-rect geometry for a cohesive texture.
Well suited to interface typography, dashboards, and product UI where clean geometry and soft corners feel at home. It can also work for contemporary branding, tech-oriented packaging, and short-to-medium headlines where its rounded-square personality is a feature. In longer text, it will be most comfortable at sizes that preserve the open apertures and rounded details.
The design reads as modern and technical, with a calm, approachable softness from the rounded corners. Its squared curves evoke digital interfaces and contemporary hardware aesthetics, while the even stroke and restrained detailing keep the tone neutral and efficient.
The likely intention is a streamlined, contemporary sans that blends strict geometry with approachable rounding, aiming for a high-tech but friendly voice. The consistent stroke, modular construction, and superelliptical curves suggest it was designed to feel at home in digital environments while remaining legible and cohesive across letters and figures.
The sample text shows a steady color and an orderly cadence, with rounded joins and corners doing most of the stylistic work rather than contrast or calligraphic modulation. Wide, smooth curves in letters like O/Q and the boxy turns in forms like S/2/3 reinforce a consistent, slightly sci‑fi geometry without becoming overtly decorative.