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Free for Commercial Use

Serif Normal Osmy 2 is a bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Millard' by Artegra, 'Berthold Bodoni' by Berthold, 'Bauer Bodoni' by Linotype, 'Bodoni No. 1 SB' and 'Bodoni No. 1 SH' by Scangraphic Digital Type Collection, and 'Bodoni Antiqua' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, editorial, book titles, magazine, branding, formal, dramatic, authoritative, classic, classic text, editorial impact, formal tone, print elegance, bracketed, hairline, ball terminals, sharp apexes, steep stress.


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A high-contrast serif with pronounced thick-to-thin modulation and crisp, bracketed serifs. The letterforms show vertical emphasis, hairline horizontals, and sharply tapered joins, producing a polished, print-like texture. Uppercase proportions are stately and compact with strong stems and refined terminals, while the lowercase mixes sturdy verticals with delicate hairlines and occasional ball terminals. Numerals follow the same contrast logic, with prominent vertical strokes and fine finishing details that read best when given adequate size and spacing.

This face is well suited to headlines, subheads, pull quotes, and title typography where its contrast and serifs can deliver a premium editorial feel. It can also work for short-form text in print-oriented settings such as book jackets, magazine features, and formal announcements, especially at sizes where the hairlines remain clear.

The overall tone is traditional and editorial, conveying confidence and ceremony. Its sharp contrast and refined finishing create a sense of drama and prestige, reminiscent of classic book and magazine typography. In display sizes it feels assertive and elegant, with a distinctly formal voice.

The design appears intended to provide a classic, conventional serif voice with heightened contrast for impact, balancing robust stems for authority with refined hairlines for sophistication. It prioritizes a composed, traditional reading texture while offering enough drama to carry display applications.

The rhythm is driven by heavy verticals and very thin cross-strokes, which can create a striking sparkle in dense text. Curved forms are smoothly modeled, and the spacing appears designed to hold a dark, authoritative line while preserving crisp internal counters. Fine hairlines and narrow joins suggest it will reward good printing or high-resolution rendering.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸