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Free for Commercial Use

Sans Normal Udnoj 7 is a bold, wide, high contrast, upright, normal x-height font visually similar to 'Begum Sans' by Indian Type Foundry, 'JT Douro Sans' by JAM Type Design, 'Chakai' by Latinotype, 'MC Attrey' by Maulana Creative, 'Skeena' by Microsoft Corporation, 'Tabac Glam' by Suitcase Type Foundry, and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, editorial, posters, book covers, branding, authoritative, classic, formal, confident, heritage tone, strong hierarchy, display impact, editorial voice, bracketed, beaked, oldstyle numerals, calligraphic, crisp.


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A robust text face with pronounced thick–thin modulation and a steady, upright stance. Curves are generously rounded with compact apertures and clearly bracketed joins that soften transitions into stems. Terminals often finish with subtle beak-like cuts and tapered endings rather than blunt stops, giving the outlines a slightly calligraphic, carved feel. The lowercase shows a traditional rhythm with moderate x-height and noticeable ascender/descender presence, while counters remain open enough to hold up at display sizes. Numerals appear oldstyle in proportion and alignment, with varied heights and distinctive bowls that echo the letterforms’ contrast and curvature.

This font is well suited to headlines, pull quotes, and magazine-style editorial layouts where contrast and weight can provide strong hierarchy. It can also work effectively for book covers, branding wordmarks, and short blocks of text at larger sizes where the sculpted terminals and oldstyle figures become a visual asset.

The overall tone is confident and editorial, suggesting heritage and seriousness without feeling ornamental. Its high-contrast rhythm and sculpted terminals lend an authoritative, bookish voice that reads as refined and deliberate rather than casual.

The design appears intended to deliver a classic, print-oriented voice with strong typographic presence, combining high-contrast modulation and traditional proportions to create a sturdy yet refined reading texture for display and editorial use.

Across the alphabet the stroke modulation is consistent, and the heavier verticals give the design a stable color on the page. Rounded letters (C, G, O, S) show smooth, continuous curvature, while diagonals (V, W, X, Y) are sharply cut and energetic, adding a crisp sparkle in headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸