Sans Superellipse Bimin 2 is a light, very narrow, monoline, italic, tall x-height font.
Keywords: headlines, posters, branding, sports graphics, tech ui, futuristic, technical, sporty, sleek, minimal, space-saving, speed emphasis, system coherence, modernization, technical tone, condensed, oblique, geometric, rounded-rect, angular.
A condensed, forward-leaning sans with uniform stroke weight and a strong geometric backbone. Curves are constructed as rounded-rectangle turns rather than fully circular bowls, producing squared-off counters and softened corners across letters and numerals. Terminals are clean and unadorned, with tight apertures and compact sidebearings that create a brisk, efficient rhythm. Uppercase forms feel tall and narrow, while the lowercase maintains clear structure with similarly squared bowls and restrained joins.
Best suited to display use where its compressed proportions and slanted energy can read as intentional—headlines, posters, product marks, and sports or tech graphics. It can also work for short UI labels, dashboards, and instrumentation-style readouts where a narrow footprint and consistent stroke weight are desirable.
The overall tone is modern and engineered, evoking speed, precision, and a streamlined industrial aesthetic. Its narrow, oblique stance adds urgency and motion, while the rounded-rect geometry keeps the voice controlled rather than aggressive.
Likely drawn to deliver a compact, high-velocity visual voice built from a consistent rounded-rect geometry. The aim appears to be a contemporary condensed italic that feels technical and cohesive across letters and digits, prioritizing silhouette and rhythm over open, text-face readability.
The design’s distinctive identity comes from consistently squared inner spaces (notably in rounded letters and figures) and the crisp, slightly angular transitions at corners. The numerals follow the same superelliptical construction, reinforcing a cohesive, system-like look suitable for interfaces or performance-oriented branding.