Cursive Buned 2 is a regular weight, very narrow, medium contrast, italic, very short x-height font.
Keywords: branding, packaging, social media, quotes, posters, casual, lively, friendly, handmade, expressive, handwritten feel, quick brush, personal tone, display script, informal branding, brushy, loopy, slanted, connected, monoline-ish.
A lively, brush-pen script with a consistent rightward slant and fluid, partly connected construction. Strokes show soft pressure modulation—thicker on curves and downstrokes, lighter on joins—while terminals taper into pointed flicks and teardrop-like finishes. The letterforms are compact and tall, with small counters, frequent looped joins, and an energetic baseline rhythm that feels written quickly but kept legible. Capitals are simple and upright in structure with broad, sweeping entry strokes that lead naturally into the following letters.
Well-suited to short, expressive settings such as branding accents, packaging callouts, social media graphics, invitations, and quote-style headlines. It works best at display sizes where the compact loops and tight counters have room to breathe, and where its energetic stroke flow can be a feature rather than a constraint.
The tone is informal and personable, like quick handwritten notes made with a felt-tip or brush pen. Its bouncy motion and looping joins give it a playful, upbeat character that reads as approachable rather than formal or ceremonial.
Designed to capture the immediacy of quick brush handwriting: compact, slanted, and loop-driven, with smooth connections that keep words flowing. The goal appears to be a friendly, contemporary script that feels personal and spontaneous while remaining usable for punchy display text.
Lowercase forms lean on tight loops (notably in b, f, g, j, y) and narrow apertures, creating a dense texture in text. Numerals follow the same handwritten logic with rounded, open shapes and slight irregularities that reinforce the hand-drawn feel. Overall spacing stays compact, and the script connection varies naturally from glyph to glyph, which contributes to an organic cadence.