Stencil Gesi 2 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: posters, headlines, branding, packaging, signage, industrial, military, retro, technical, urban, stencil aesthetic, industrial voice, display impact, signage utility, high-contrast, crisp, angular, geometric, segmented.
A crisp, geometric stencil design with mostly uniform stroke thickness and deliberate breaks that create strong bridges across bowls and joins. Letterforms lean on straight stems, clean circular arcs, and flat terminals, with frequent vertical and horizontal cuts that segment counters and curves. Uppercase shapes feel compact and engineered, while lowercase keeps a straightforward, utilitarian construction with simple single-storey forms and minimal modulation. Numerals echo the same segmented logic, producing clear, graphic silhouettes and consistent rhythm across the set.
Best suited to display settings such as posters, headlines, logos, packaging, and signage where the stencil segmentation can read clearly and contribute to the visual identity. It can also work for short text elements like labels, UI headings, or editorial pull quotes when a technical/industrial mood is desired, but the broken strokes will be most effective at medium-to-large sizes.
The overall tone is industrial and utilitarian, with a militaristic/technical edge that reads like sprayed marking or cut-out signage. The repeated stencil breaks add a coded, mechanical character that feels both retro and modern, lending the type a bold, assertive presence without becoming decorative in a script-like way.
The font appears designed to capture the look of practical stencil lettering—clean, repeatable geometry with purposeful bridges—while maintaining a polished, contemporary rhythm. Its consistent segmentation suggests an intent to deliver a strong themed voice for branding and display typography rather than neutral body text.
The stencil gaps are prominent and fairly consistent in placement, often cutting through curved strokes (C/G/O/Q/0/8/9) and occasionally interrupting diagonals, which increases texture at display sizes. The design favors clarity of silhouette over continuous flow, making word shapes feel punchy and patterned.