Sans Other Sefi 2 is a regular weight, narrow, monoline, upright, short x-height font.
Keywords: headlines, posters, branding, game ui, signage, futuristic, techno, geometric, architectural, modular, tech aesthetic, grid construction, sci-fi display, modular clarity, angular, rectilinear, squared, crisp, mechanical.
A sharply rectilinear sans built from consistent, monoline strokes with squared terminals and frequent 45° chamfers at corners. Forms lean on boxy bowls, narrow apertures, and stepped joins, producing a compact rhythm and a distinctly modular construction. Curves are largely replaced by straight segments, giving round letters a faceted, octagonal feel; diagonals appear sparingly and read as deliberate structural elements rather than calligraphic motion. The lowercase remains schematic and compact, with simplified counters and a generally tight, engineered silhouette.
Best suited to display settings where its angular construction can read cleanly: headlines, poster titles, sci‑fi or tech branding, game/UI labels, and short signage copy. It can also work for logotypes or packaging accents where a geometric, engineered voice is desired, while extended body text may feel rigid due to the tight, faceted forms.
The overall tone is futuristic and technical, evoking digital interfaces, sci‑fi labeling, and industrial wayfinding. Its crisp geometry and restrained detailing create a cool, controlled voice that feels synthetic and machine-made rather than humanist or expressive.
The design appears intended to translate a strict grid into a readable sans, prioritizing a modular, techno aesthetic over organic letterform modeling. Its chamfered corners and squared bowls suggest a goal of consistent construction and a distinctive, futuristic presence for titling and interface-like applications.
Many glyphs emphasize symmetry and grid alignment, with squared bowls (e.g., O/0-like shapes) and corner notches that add a circuit-board or stencil-adjacent flavor without fully breaking strokes. The punctuation and numerals follow the same rectilinear logic, helping long strings of mixed characters keep a consistent, display-oriented texture.