Sans Superellipse Keba 2 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Black Square' and 'Kabyta' by Agny Hasya Studio, 'RBNo3.1' by René Bieder, and 'Hemi Head' by Typodermic (names referenced only for comparison).
Keywords: sports branding, esports, headlines, posters, product branding, sporty, futuristic, assertive, energetic, technical, convey speed, maximize impact, modern branding, tech aesthetic, oblique, compact apertures, rounded corners, squared curves, angular joins.
A heavy, oblique sans with superelliptic construction: curves are built from rounded-rectangle forms and softened corners rather than true circles. Strokes are monolinear and substantial, with crisp, slightly chamfered terminals and tight internal counters that keep letters compact and punchy. The oblique slant is consistent across capitals, lowercase, and figures, and the rhythm is forward-leaning with squared bowls (notably in O/0, D, and B) and angular joins that reinforce a streamlined, engineered feel.
Best suited to high-impact display work such as sports and esports identities, team or event marks, campaign headlines, posters, packaging, and tech/product branding where speed and strength are desired. It also works well for short UI labels or dashboards when used at larger sizes with generous spacing to preserve clarity.
The overall tone is fast and performance-driven, pairing a tech-forward geometry with the attitude of sports branding and motorsport graphics. Its dense shapes and slanted posture project urgency and confidence, reading as modern, tactical, and impact-focused rather than conversational.
The font appears intended to deliver a contemporary, speed-oriented sans for branding and titling, combining superelliptic geometry with an oblique stance to suggest motion and modernity while maintaining a sturdy, compact silhouette.
The design emphasizes rounded-square counters and restrained apertures, which boosts solidity at display sizes but can reduce differentiation in tightly set text. Numerals follow the same squared, oblique logic, supporting a cohesive, instrument-like voice in mixed alphanumeric settings.