Sans Faceted Ithy 6 is a light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, branding, logos, posters, ui labels, futuristic, tech, geometric, industrial, retro, tech aesthetic, modular system, sci‑fi tone, display impact, geometric clarity, rounded corners, squared forms, octagonal, modular, open counters.
A geometric sans built from straight segments with softened, rounded corners, yielding boxy, faceted curves and consistent stroke color. Bowls and rounds are rendered as squared/rounded rectangles, giving many glyphs an octagonal feel and a tightly controlled, modular rhythm. Apertures tend to be open and horizontal terminals are clean and flat, while diagonals in letters like K, V, W, X, and Y add crisp angular contrast. Spacing reads even and intentional in the sample text, with a slightly technical, engineered texture across lines.
Best suited for headlines, logotypes, brand marks, and short text where its faceted geometry can read as a deliberate design choice. It also fits interface labels, dashboards, product panels, and packaging that benefit from a technical, futuristic tone. For longer passages, it will work most comfortably at larger sizes where the squared counters and angular joins remain distinct.
The overall tone is sleek and machine-made, combining a sci‑fi display attitude with a restrained, functional clarity. Its squared geometry and softened corners evoke digital interfaces, instrumentation, and retro-future industrial design rather than handwritten warmth.
The design appears intended to translate a clean sans structure into a faceted, modular system—replacing conventional curves with planar segments while keeping forms legible and consistent. The rounded corners soften the geometry just enough to feel polished, aiming for a contemporary tech voice with retro-futurist character.
Uppercase and lowercase share a strongly unified construction, with simplified forms (notably the single-storey lowercase a) and squared counters that keep the texture consistent. Numerals follow the same rectilinear logic, maintaining the font’s modular voice in UI-like contexts and headings.