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Free for Commercial Use

Groovy Ulti 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Fritz Display' by Designova, 'Miguel De Northern' and 'Thinking' by Graphicxell, 'Cairoli Now' by Italiantype, 'Editorial Feedback JNL' by Jeff Levine, 'Robuck' by Martype co, and 'Duotone' by Match & Kerosene (names referenced only for comparison).

Keywords: posters, headlines, packaging, logotypes, stickers, playful, cheeky, retro, cartoony, bouncy, expressive display, retro pop, handmade feel, humor, attention-grabbing, rounded, soft corners, blobby, organic, chunky.


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A heavy, compact display face with rounded, inflated strokes and softly squared corners. Forms feel hand-shaped rather than geometric, with subtle irregularities in curves, joints, and terminal treatments that create a lively rhythm. Counters are small and often pinched into teardrop or oval openings, and several characters show quirky notches and asymmetries that emphasize an informal, made-by-hand texture. The lowercase is simple and sturdy with a single-storey a, and the numerals match the same thick, buoyant silhouette.

Best suited for short, attention-grabbing text such as posters, splashy headlines, event promos, playful packaging, and characterful logotypes. It can also work for badges, stickers, and social graphics where a bold, friendly voice is desired, but it’s less suited to long reading passages due to its dense texture and quirky detailing.

The overall tone is lighthearted and slightly mischievous, evoking a retro poster sensibility with a groovy, upbeat bounce. Its chunky, bubbly presence reads as friendly and humorous, leaning toward expressive signage rather than restrained typography.

The design appears intended to deliver a bold, whimsical display voice with a groovy, handmade flavor—prioritizing personality and visual punch over neutrality. Its softened, blobby construction and irregular internal shapes suggest a deliberate attempt to feel organic and fun while maintaining strong legibility at display sizes.

The texture becomes most distinctive in word shapes, where the irregular widths and gently wobbling curves create a pulsing, animated feel. Tight counters and dense black area make it most effective with generous spacing and at larger sizes where interior shapes stay clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸